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The world of The Witcher 3: Wild Hunt is dark and full of terrors (preview)
June 17, 2013 8:30 AM
By Stefanie Fogel
You know, when you think about it, The Witcher video game series shares some similarities with the hit HBO TV show Game of Thrones.
Both are based on works by popular fantasy authors. Both tell tales of
characters that are neither completely good nor completely evil. Both
are set in harsh fictional medieval worlds populated with mythical
creatures, scheming nobles, and the occasional brother-sister incest.
And they both look damn good.
Due for PC, PlayStation 4, and Xbox One sometime in
2014, The Witcher 3 is the final entry in CD Projekt RED’s critically
acclaimed action-role-playing game franchise. It’s also the first title
in the series to feature a truly open game world and free-roaming
exploration, and it’s gorgeously detailed.
CD Projekt claims it’s 35 times bigger than The Witcher 2: Assassins of Kings (a large game in itself) and takes 40 minutes to travel on horseback end to end.
“Basically, the new philosophy of exploring the world in
The Witcher 3 is that you can get to every place you see on the screen,”
the developer told the media during a live gameplay demo at this week’s
Electronic Entertainment Expo in Los Angeles. “This is a massive
improvement in comparison to Witcher 2, which had some artificial
barriers.”
Of course, a world that big and beautiful is pointless
unless it’s filled with interesting things to do.
The Witcher 3's standalone, nonlinear story once again focuses on mutant monster hunter Geralt of Rivia. CD Projekt promises a more personal story for Geralt this time around. Now freed from the political machinations of kings and
elves, he’s able to search for his loved ones and pursue the Wild Hunt,
a spectral force straight out of folklore that brings death and terror
to all it passes. The beginning of the demo shows these skeletal riders
attacking a village, and Geralt seeks the lone survivor of the massacre
to get some answers.
The ability to track down and slay epic beasts is nothing new — Capcom built an entire franchise
around it. But it’s an important part of The Witcher lore, and CD
Projekt is putting greater emphasis on it this time around. “We decided
we would no longer have this world of enemies who are very weak and who
you’re just slashing them and killing them,” said The Witcher 3 game
director Konrad Tomaszkiewicz. “We decided to create this Monster
Hunting system and the Witcher Sense system and create monsters in a way
that would be unique. They got their own special abilities, and the
hunt for every one of these monsters will be different. You will feel
that you’re a monster hunter actually in the game.”
There’s about 80 different monsters in The Witcher 3, the developer says, and
each has its own habitat, strengths, and weaknesses. During the demo,
the developer showed a side quest involving a formerly peaceful woodland
spirit that is now terrorizing the village that used to worship it.
Geralt agrees to slay the beast (for a price), but first he has to find
it. A simple press of a button activates Geralt’s new Witcher Sense
(think Detective Vision in Batman: Arkham Asylum), and it’s not long
before he spots the creature’s trail. He discovers that it’s a Leshen — a
tall, antlered being that can control the forest and disappear in a
cloud of ravens.
Geralt has deep knowledge of his world’s more deadlier
creatures, and all of that information is in the game’s Monster Journal.
This Wikipedia-like bestiary is incredibly detailed; by reading it, the
player learns that the Leshen is very territorial and uses totems to
steal power from the forest. It also likes to bind itself to a nearby
human and use that person’s vital energy to resurrect itself if it’s
slain. Once again, Geralt’s heightened senses allow him to find the
marked person, an innocent woman named Hilde. Once she’s dealt with
(presumably killed), Geralt is free to hunt down and destroy the totems
and finally the spirit itself.
The battle with the Leshen is a spooky, tense affair.
Wolves spring out of the shadows at Geralt, and massive tree roots rise
up to strike and hinder him. The Leshen itself is a cagey opponent that
randomly teleports about the forest, but eventually Geralt is successful
and returns to the village to collect his reward.
There he learns that not all of the world’s monsters have
antlers or walk on four legs. While he was off dealing with the Leshen,
the man who hired him decided to stage a coup, slaying the village
elders in cold blood. Geralt calls the man a murderer but ultimately
collects his fee and moves on. What else can he do? The world of The
Witcher is dark and morally ambiguous, and sometimes picking the lesser
of two evils is the best choice available.
June 17, 2013 8:30 AM
By Stefanie Fogel
You know, when you think about it, The Witcher video game series shares some similarities with the hit HBO TV show Game of Thrones.
Both are based on works by popular fantasy authors. Both tell tales of
characters that are neither completely good nor completely evil. Both
are set in harsh fictional medieval worlds populated with mythical
creatures, scheming nobles, and the occasional brother-sister incest.
And they both look damn good.
Due for PC, PlayStation 4, and Xbox One sometime in
2014, The Witcher 3 is the final entry in CD Projekt RED’s critically
acclaimed action-role-playing game franchise. It’s also the first title
in the series to feature a truly open game world and free-roaming
exploration, and it’s gorgeously detailed.
CD Projekt claims it’s 35 times bigger than The Witcher 2: Assassins of Kings (a large game in itself) and takes 40 minutes to travel on horseback end to end.
“Basically, the new philosophy of exploring the world in
The Witcher 3 is that you can get to every place you see on the screen,”
the developer told the media during a live gameplay demo at this week’s
Electronic Entertainment Expo in Los Angeles. “This is a massive
improvement in comparison to Witcher 2, which had some artificial
barriers.”
Of course, a world that big and beautiful is pointless
unless it’s filled with interesting things to do.
The Witcher 3's standalone, nonlinear story once again focuses on mutant monster hunter Geralt of Rivia. CD Projekt promises a more personal story for Geralt this time around. Now freed from the political machinations of kings and
elves, he’s able to search for his loved ones and pursue the Wild Hunt,
a spectral force straight out of folklore that brings death and terror
to all it passes. The beginning of the demo shows these skeletal riders
attacking a village, and Geralt seeks the lone survivor of the massacre
to get some answers.
The ability to track down and slay epic beasts is nothing new — Capcom built an entire franchise
around it. But it’s an important part of The Witcher lore, and CD
Projekt is putting greater emphasis on it this time around. “We decided
we would no longer have this world of enemies who are very weak and who
you’re just slashing them and killing them,” said The Witcher 3 game
director Konrad Tomaszkiewicz. “We decided to create this Monster
Hunting system and the Witcher Sense system and create monsters in a way
that would be unique. They got their own special abilities, and the
hunt for every one of these monsters will be different. You will feel
that you’re a monster hunter actually in the game.”
There’s about 80 different monsters in The Witcher 3, the developer says, and
each has its own habitat, strengths, and weaknesses. During the demo,
the developer showed a side quest involving a formerly peaceful woodland
spirit that is now terrorizing the village that used to worship it.
Geralt agrees to slay the beast (for a price), but first he has to find
it. A simple press of a button activates Geralt’s new Witcher Sense
(think Detective Vision in Batman: Arkham Asylum), and it’s not long
before he spots the creature’s trail. He discovers that it’s a Leshen — a
tall, antlered being that can control the forest and disappear in a
cloud of ravens.
Geralt has deep knowledge of his world’s more deadlier
creatures, and all of that information is in the game’s Monster Journal.
This Wikipedia-like bestiary is incredibly detailed; by reading it, the
player learns that the Leshen is very territorial and uses totems to
steal power from the forest. It also likes to bind itself to a nearby
human and use that person’s vital energy to resurrect itself if it’s
slain. Once again, Geralt’s heightened senses allow him to find the
marked person, an innocent woman named Hilde. Once she’s dealt with
(presumably killed), Geralt is free to hunt down and destroy the totems
and finally the spirit itself.
The battle with the Leshen is a spooky, tense affair.
Wolves spring out of the shadows at Geralt, and massive tree roots rise
up to strike and hinder him. The Leshen itself is a cagey opponent that
randomly teleports about the forest, but eventually Geralt is successful
and returns to the village to collect his reward.
There he learns that not all of the world’s monsters have
antlers or walk on four legs. While he was off dealing with the Leshen,
the man who hired him decided to stage a coup, slaying the village
elders in cold blood. Geralt calls the man a murderer but ultimately
collects his fee and moves on. What else can he do? The world of The
Witcher is dark and morally ambiguous, and sometimes picking the lesser
of two evils is the best choice available.
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